CCA, Lagos presents in collaboration with Synergie Contemporaine, Dakar, Àsìkò, the fourth edition of its international art programme under the title A History of Contemporary Art in Senegal in 5 Weeks as part of the OFF at the 11th Dakar Biennale. In 2010, CCA, Lagos began an innovative programme with the aims of filling a gap in the art education curricula in Nigeria and other African countries, which tend to ignore the critical methodologies and histories that underpin artistic practice. Using the format of part art laboratory, part residency and part informal art academy, over the course of 35 intensive days The History of Contemporary Art in Senegal in 5 Weeks will focus partially on technique and primarily on methodology, critical thinking, and the implementation of conceptual ideas as well as the development and role of curatorial practice.
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Above: Kwasi Ohene-Ayeh, "S.A.F.P.A. (Six and Four:Prison Anxieties)," 2013. Installation detail, Chale Wote Street Art Festival, Accra, 2013. Courtesy the artist.
At the end of the 2013 Àsìkò, The Archive: Static, Practice and Embodied held in Accra, the participants provocatively titled their final project, A History of Contemporary Art in Ghana in the Last Five Weeks. Was this gesture an attempt to indicate that the complex history of contemporary art practice in Ghana could be broached within the temporal period allotted—five weeks? Certainly such an elaborate history condensed and absorbed in the space of 35 days, or 840 hours, is subject to questioning. Despite its inevitable sentiments of reductiveness, the title nonetheless provided a space of examination and reflexivity, a space in which to dwell on the effects of time and its potential in tune with the central theme of "The Archive."











